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Your first release: common mistakes and how to avoid them

The mistakes that most often delay or spoil a first release, from metadata errors and rushed dates to weak covers, wrong profiles and uncleared samples.

5 min read

When a first release goes wrong, the music is rarely the reason. It is usually something small and avoidable: a misspelled artist name, a date set too close, a cover that gets rejected, a sample nobody cleared. These are the mistakes that come up again and again, and what to do instead.

Metadata that doesn't match

Metadata is the text that travels with your audio: artist name, track title, featured artists, songwriter and producer credits, language and genre. Platforms show it exactly as you send it, and fixing it after release is slow. Some changes can't be made at all without taking the release down and sending it again.

The usual slips:

  • The artist name is written differently from your existing profile: "JonahReed" on one release, "Jonah Reed" on the next.
  • Extra words in the title, such as "Official Audio", "New 2026" or "prod. by". Store rules don't allow them, and producer credits belong in the credits fields.
  • A featured artist typed into the title instead of the featured artist field.
  • A title written entirely in capitals, or a version label like "Remix" or "Acoustic" missing when the track really is a remix or an acoustic version.
  • The wrong language selected, for example marking an Azerbaijani song as Turkish.

The fix is boring and works: write all metadata in one document before you start, read it aloud, and ask someone else to check it against the cover.

The wrong artist profile

If your name is shared with another artist, your song can end up on their page, or their music on yours.

Before you submit, search your exact artist name on Spotify, Apple Music and YouTube Music. If you already have a profile from earlier releases, make sure the new release is linked to that same profile. If you are new and someone else already uses the name, say clearly that you need a new profile, or consider a more distinctive name while it is still cheap to change. Do the same check for every featured artist.

A cover that breaks the rules or looks unfinished

The cover is the first thing people see, usually as a small square on a phone screen.

On CULT the artwork must be a JPG of exactly 3000 × 3000 pixels. Beyond size, platforms commonly reject covers that are blurry or pixelated, that contain website addresses, social handles, platform logos or prices, or whose text doesn't match the artist name and title. Shrink your design to thumbnail size before you decide it's finished; if the title can't be read, simplify it. And use only images you made, paid for, or have clear permission to use.

Samples and beats you haven't cleared

You must own or have permission for everything in the release: the audio, the artwork and any other material. That includes the beat you bought online, the vocal chop from an old record and the loop from a sample pack.

  • A leased beat comes with a licence that may limit streams, platforms or monetisation. Read it before you release, and keep the document.
  • A sample from someone else's recording needs permission from both the owner of the recording and the owner of the composition.
  • A beat labelled "free" on a video site is not automatically free for commercial release. Get written confirmation from the producer.

Rights holders can file claims, and platforms can take a release down. Keeping licences and emails in one folder saves a lot of trouble later.

Rushing the date and skipping the plan

Many artists finish the master on Thursday and want it out by Friday. That leaves no room for review, for any requested changes or for each platform's processing. When you submit through CULT, the team reviews the release and shows any requested changes in the portal, and how long the whole process takes depends on those steps and on each platform. A buffer of several weeks protects your date. If you want to pitch the song to Spotify's editors, the release has to be in their system well before release day, so check the current rules early.

The other half of the problem is having no plan for after release day. A song that nobody hears about stays unheard. You don't need a big campaign, just a few things prepared in advance:

  1. Tell the people who already follow you a week or two before release.
  2. Prepare several short clips from the song, not one.
  3. Plan posts for the four weeks after release, not only for day one.
  4. Update your profiles and bio so new listeners understand who you are.
  5. Send the song personally to a few people who might care: local radio hosts, bloggers, other musicians.

A quick check before you press submit

  • Artist name spelled the same way on the release, the cover and your profiles.
  • Titles clean, with versions labelled correctly and credits in the right fields.
  • Audio in WAV, cover a 3000 × 3000 JPG that reads well at small size.
  • Written permission for every beat, sample and image.
  • A release date with a buffer, and a month of posts planned.

None of this is complicated, but every fix takes longer after release.

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